Do Foo Fighters Know Robert Pattinson From Robert Plant?
During band's rehearsal break for Sunday's Movie Awards, we put Foos to the test.
By Ryan J. Downey, with reporting by Jim Cantiello
The Foo Fighters' Dave Grohl
Photo: MTV News
UNIVERSAL CITY, California — Hard rock, heavy metal, hardcore and punk have long gone hand-in-hand with evil wizards, magic, vampires and werewolves. And with a collective sub-cultural pedigree that includes stints in the Germs, No Use for a Name, Sunny Day Real Estate, Scream and some band called Nirvana, you'd think the Foo Fighters — set to perform at Sunday's Movie Awards — would know their "Potter" from their Zeppelin. Certainly they can recognize a "wand" reference and pinpoint its origin?
Right? Before we put MTV News' magically crafted trivia to the band, it seemed safe to assume the Foos would accurately distinguish between the words of Harry Potter, a "Twilight" character and Led Zeppelin. But was their underground nerd cred blown to shreds? Read on — and click the video! — to see how the Foo Fighters fared when we caught up with them on the Universal Studios lot, shortly after they finished rehearsing their Movie Awards performance.
Our own Jim Cantiello played dungeon master as Dave Grohl, Nate Mendel, Taylor Hawkins, Chris Shiflett and Pat Smear were given a series of semi-famous lines and asked whether they originated with "Harry Potter," the "Twilight Saga" or the lyrics of hard-rock pioneers Led Zeppelin.
Here's a sampling of a few of those one-liners:
» "The elder wand, the most powerful wand ever made."
» "Why don't you let me be yours ever truly? Can I make your garden grow?"
» "You're lying, Dolores! You mustn't tell lies!"
Can you guess whether the lines above came from the "Potter" flicks, "Twilight" or Robert Plant?
Watch as the Foos try their best to do exactly that. Then tune in to the MTV Movie Awards on Sunday to catch the Foo Fighters rock the stage with their new single, "Walk."
Will wizards, vampires or dream thieves steal the 2011 MTV Movie Awards? Find out June 5, when the 20th annual show airs live at 9 p.m. ET/PT. Tune in at 7:30 p.m. ET/PT that night for the "America's Best Dance Crew" finale and Movie Awards pre-show, loaded with live action from the red carpet, exclusive movie clips and a special edition of "After Hours."
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Britney Spears - Piece of Me
- Artist: Britney Spears
- Label: Jive/Zomba Label Group
- Director: Wayne Isham
- Album: Blackout
Source: http://www.mtv.com/overdrive/?artist=501686&vid=195543
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'Killer Elite' Star Clive Owen: It's All About The Mustache!
Source: http://moviesblog.mtv.com/2011/09/22/killer-elite-clive-owen/
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Michael Jackson - They Don't Care About Us
- Artist: Michael Jackson
- Label: MJJ
- Director: Spike Lee
- Album: HIStory: Past, Present and Future, Book I
Source: http://www.mtv.com/overdrive/?artist=1102&vid=208348
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Ke$ha Is Channeling 'Sexiness' Of '70s Rock For New Album
Glitter-heavy pop star tells MTV News she's going for 'balls-out, irreverent rock and roll.'
By James Montgomery, with reporting by Matt Elias
Ke$ha's already got the face paint down pat, and, during recent live sets, she's even taken to guzzling blood out of a human heart, so it should come as no surprise that, on her upcoming album, the pop star is taking things back to the most theatrical era of rock: the prop-heavy, arena-spanning heyday of the 1970s.
Ke$h revealed her plans over the weekend in Los Angeles, on the red carpet of KIIS FM's annual Wango Tango concert, where she told MTV News that the follow-up to her breakout Animal album (and, we suppose, Cannibal too) would be heavy on hard riffs and light on pretty much everything else.
"The next album ... I've been working on writing on the road, but as far as a sound, I just know it's gonna be balls-out, irreverent rock and roll," she said. "I've been pretty much in this '70s rock and roll kick and I just want to capture some of the true essence of what rock and roll is, and that's just irreverence and sexiness and fun and not giving a f---, so we'll definitely put a bit of rock and roll in it."
So, does that mean that fans can expect the likes of Alice Cooper or Peter Frampton to show up on her new album? Perhaps. Because while Ke$ha's new album is still a ways off, she's already begun calling in favors, hoping to line up a killer collabo for the new disc.
"I'm trying, trust me," she laughed. "I really would love to connect with one of my idols, I mean, that's my dream. I'm working on it."
What do you think of Ke$ha going rock for her next album? Tell us in the comments!
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Dave Grohl, Josh Homme, John Paul Jones Unveil Supergroup
Them Crooked Vultures make their debut with a post-Lollapalooza set.
By James Montgomery
Dave Grohl (file)
Photo: Jewel Samad/AFP/Getty Images
Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended very early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures.
To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere.
According to some reports, the Vultures actually turned down Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town.
Taking the stage just after midnight, the Vultures — Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar — ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called Never Deserved the Future, and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans).
The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard — Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" — delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the Chicago Sun-Times' Jim DeRogatis.
It's not known if Monday's Metro performance was a one-off event for the Vultures — there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October.
Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site — posted a link to what appears to be the group's first bit of official merchandise: a Deserve the Future T-shirt. Cost: $30.
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Toronto 2011: ATO Pictures Grabs 'Last Call at the Oasis'
edit@hollywoodreporter.com (Jay A. Fernandez) The project, directed by Jessica Yu, was developed, financed and executive produced by Participant Media.
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Usher Says New 'Rev Pop' Project Is A 'Movement'
Singer teases his new project by pointing to past hits like 'Yeah!' and 'OMG.'
By James Montgomery
With the success of songs like "DJ Got Us Fallin' in Love," "Hot Tottie" and "OMG," Usher had himself a fairly massive 2010. But rather than rest on his laurels, he's looking to build on his big year, not with an album, but with a "movement."
It's something he's calling "Rev Pop" — or, simply, "Rev" — and though he's already teased his idea in a video with David Guetta (Akon is also involved), he has yet to speak in full about it. So when MTV News caught up with Ush before the 53rd annual Grammy Awards in Los Angeles at the (Belvedere) RED launch party, we asked him about his next musical endeavor. And though he didn't reveal much, he did let it be known that "Rev" isn't exactly something new. In fact, he's been doing it for a while now.
"I'll give it to you this way: At a later date, I'll tell you more about Rev Pop, but if I were to give you a flash: I've done it before, I did it with 'Yeah!' " he said, "taking a cultural experience, and also worldwide recognition of a feeling, and putting the soul in the middle of it. Not allowing it to shift heavily to R&B genre, or pop. I did it again with 'OMG,' once again putting the soul in the middle of it, which was an electric-pop experience, with the soul.
"It's bringing those elements together to tell a story, that was born here," he said, gesturing toward his heart, "And that's what Rev Pop is. There's more, I mean, I could really elaborate, but that's just what I'm going to tell you right now. 'Rev' is what it's called ... the movement is called Rev."
Usher wouldn't say just when his fans would be getting their first taste of Rev, but whenever they do, it sounds like they're going to be impressed ... if not a little shocked.
"Stay alive," he smiled, "Because you're definitely going to be in for a surprise."
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'Pearl Jam Twenty': The Reviews Are In
Critics accuse director Cameron Crowe over fawning over the band, but fans probably won't mind.
By Eric Ditzian
Eddie Vedder in "Pearl Jam Twenty"
Photo: Vinyl Films
In a neat bit of pop-culture convergence, the 20th-anniversary commemoration of Nirvana's Nevermind (which MTV News has been feting all week long) is coinciding with another grunge-centric, two-decade celebration: Cameron Crowe's documentary about the founding and globe-spanning success of Pearl Jam.
"When I saw the early ... edits of it, I thought it was very interesting and kind of exciting and, like I said, it runs the gamut of all those emotions," guitarist Mike McCready told us in May. "And it actually put in some sort of musical perspective the past 20 years, like, 'Oh yeah, we did do that, we did do this': the Ticketmaster thing, there was Roskilde, there were all these issues, and there were these great highs and interesting beginnings. The story it tells is: Why did it work, and why does it still? It made more sense when I saw the movie."
After debuting at the Toronto International Film Festival earlier this month, "Pearl Jam Twenty" is set for a one-night-only premiere at theaters across the country Tuesday (September 20). The early word from critics is that while the doc gives fans unique access to the band, especially in early footage hauled out from the achieves, it suffers from director Cameron Crowe's hagiographic treatment of his subject. But that might just be exactly what PJ devotees are looking for.
The Comparison
"Cameron Crowe's feature doc ... is among his most effective and deeply felt work. ... Every rock act possesses a mysterious alchemy that becomes a kind of mythology; as a portrait of one of the biggest bands in the world, 'Pearl Jam Twenty' doesn't so much capture that alchemy as describe it. But it does so with passion, and even the unconverted will find a convincing case for the band's longevity, popularity and influence." — Sheri Linden, The Hollywood Reporter
The Focus
"Crowe, who does a remarkable job of collecting archival footage from the band's earliest days (and even before that) focuses heavily on [the band's early days]. He narrates the beginning (before getting almost totally out of the way), setting the stage for the late '80s and early '90s, when Seattle was the rock music capital of the world. Soundgarden's Chris Cornell talks about how there was a wealth of bands, but unlike in New York or Los Angeles, the competition tended to be more friendly than cut throat. Even later, when the twin towers of the Seattle scene — Pearl Jam and Nirvana — seemed ready to face off after Kurt Cobain slagged Pearl Jam's music for being too mainstream, they resolved their differences before Cobain died." — Melinda Newman, HitFix
The Fandom
"The cinematic equivalent of a concert T-shirt, XXL biodocu 'Pearl Jam Twenty' gives another awesome souvenir to die-hard fans of the chart-topping Seattle scenesters-turned-cult faves while leaving others to wish there was a thesis in former rock-journo Cameron Crowe's two-hour puff piece. Finding a pulse only in the band's late-reel performance of 'Alive,' a lusty passage that would've begun a pic intent on making a case for the group's greatness, 'Twenty' simply counts the years from 1991 via sludgy backstage and onstage footage whose rarity can't forgive its inclusion. Crowe's critic mentor, the late Lester Bangs, would cringe." — Rob Nelson, Variety
The Frontman
"Before Vedder was vaguely mystical and a little inscrutable, he was boyish, smiley and uninhibited. Vedder doesn't come through any clearer after 'Pearl Jam Twenty,' but the band's journey remains a thoroughly entertaining one. Any enterprise like this is inherently self-congratulatory, but the film is best considered from Crowe's perspective: that of a fan." — Jake Coyle, The Associated Press
The Final Word
"[It] suffers from being an all-out fawnapalooza. Crowe, a former Rolling Stone reporter, wastes unprecedented access to one of modern rock's most private, compelling and enigmatic acts to create little more than a promotional video for Pearl Jam's non-stop tours. There's plenty to elicit fist pumps from steadfast fans, largely because of rare archival footage. (A silly slow dance between security guard-turned-rocker Eddie Vedder and Nirvana's Kurt Cobain is lump-in-the-throat poignant). Yet Crowe glosses over too many of Pearl Jam's darkest days — a drummer's mysterious firing, addiction battles, nine fans dying at a show — to keep non-Jammers from getting bored." — Joseph Rose, The Oregonian
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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